Thursday, January 30, 2025

Musée des Hospitalières 2025: Jana Sterbak

CORPUS INSOLITE: JANA STERBAK

Musée des Hospitalières de l’Hôtel-Dieu de Montréal

29 January 2025 - 24 August 2025

The Musée des Hospitalières de l’Hôtel-Dieu de Montréal, renowned for its unique collections of historical, medical and religious artifacts, presents a new exhibition, Corpus Insolite: Jana Sterbak.This exhibition invites visitors to experience Sterbak’s thought-provoking works in dialogue with the museum’s collections.

Jana Sterbak is a globally acclaimed, Montreal-based artist. She explores in her works the themes of power and desire, often incorporating unconventional materials. Her works explore the themes of mortality, transcendence, and transformation, which in this exhibition are brought into dialog with the medical and religious artifacts from the museum's collection.

For this exhibition, Jana Sterbak and curator Johanne Sloan worked closely together to integrate Sterbak’s artworks into the museum’s exhibition spaces, while also selecting objects to be brought out of storage for the first time. 


For example, Sterbak’s internationally recognized Vanitas: Flesh Dress for an Albino Anorectic, (the so-called meat dress), which was first shown in 1987, has been re-made for this exhibition, and is displayed in the proximity of anatomic models and holy relics. This offers a unique opportunity to re-discover the work of Jana Sterbak in dialog with the exhibits from the museum’s collection.


In addition to the two works Sylvanus and Hot Crown, which have never before been shown in Montreal, Jana Sterbak's internationally acclaimed Vanitas: Flesh Dress for an Albino Anorectic, first exhibited in 1987, was remade for this exhibition, contrasted with the museum's anatomical models and sanctified relics. It is a long, white feminine dress with the real male chest-hair woven into it.

The sculpture of a crown which lights brightly every 80 seconds also seems to reflect on both the worldly and spiritual powers.

Also of interest are the skeleton bones displayed under the glass and looking very much like real human skeleton bones, especially in contrast with other bone remain in the same room, are actually made of chocolate. 


The Musée des Hospitalières de l’Hôtel-Dieu de MontréalThis offers a unique opportunity to rediscover the work of Jana Sterbak while, at the same time, discovering the museum's collections through an artistic imagination.

Sterbak's pieces also reflect on the human stages of life, like the closed circle and the spiral-like progression.



The top-most image in this article, curtesy of the the Musée des Hospitalières de l’Hôtel-Dieu de Montréal.

All other photos @Nadia Slejskova

For more information visit the museum's website.


About the Musée des Hospitalières de l’Hôtel-Dieu de Montréal

The mission of  the Musée des Hospitalières de l’Hôtel-Dieu de Montréal is to transmit the history of Montreal and its foundation, to publicize the history of the Hôtel-Dieu de Montréal, to exhibit the tangible and intangible heritage of the Hospitallers of Saint Joseph, and to explore the history of healthcare and the health sciences.

Four centuries of history can be traced through the museum’s unique collection, which is linked to the development of Montreal, to hospital, medical and pharmaceutical practices, and to religious art.

Located within Mount Royal’s protected area, in a special natural setting, the museum is a part of one of the city’s best preserved convent complexes, home to the Hospitallers of Saint Joseph. The ensemble, built in 1861 to plans by the architect Victor Bourgeau, includes the order’s original monastery and garden, the hospital, three chapels, a crypt and the museum itself, housed in the former chaplains’ residence.


Saturday, January 25, 2025

Centaur Theatre 2025: Strawberries in January

Centaur Theatre / 56th Season

STRAWBERRIES IN JANUARY

A MUSICAL FANTASY

Based on the play by Evelyne de la Chenelière 

Des fraise en janvier

The World English Language Premiere 

In Collaboration with Théâtre Advienne que pourra

January 21 - February 9, 2025


Montreal's Centaur Theatre is presenting a new play with a fitting title and timing for the present cold month of January: Strawberries in January - A Musical Fantasy. For Centaur, it is also a fruitful and joyous collaboration with the Théâtre Advienne que pourra, located in Repentigny.

This new English-language musical version of a Québec's classic was adapted by a talented director Frédéric Bélanger and a songwriter Audrey Thériault and features original music by Ludovic Bonnier, Eva Foote and Habib Zekri.

It is based on the award-winning play Des fraises en janvier by Evelyne de la Chenelière. This new adaptation is a vibrant exploration of love, serendipity, and human connections, set against the wintry backdrop of Montreal. Its lovely music and singing add additional vibrancy to the original play. Strawberries in January - A Musical Fantasy offers a fresh perspective on the interwoven lives of four single people searching for meaning, love, and laughter amidst their daily routine and trials.

Centaur's musical adaptation of the play features eighteen toe-tapping tunes, arranged by Nick Carpenter and Habib Zekri, that add additional layers of emotion and melody to this modern romantic tale.


The Director Frédéric Bélanger expressed it very precisely when stating:

"Strawberries in January invites audiences to reflect on the power of chance and the beauty of human connection, all while immersing them in a world of song and storytelling. It’s a show that warms the heart and brightens the soul, perfect for the cold winter months.”

Eda Holmes, Centaur Theatre Artistic & Executive Director, also added:

“I am thrilled by the opportunity to introduce the English community to the exceptional talent of director Frédéric Bélanger. He has nurtured the musical adaptation of Strawberries in January since 2016. We began working together on it just before the pandemic and being able to bring it to the stage at last is a testament to the resilience of the artists of the Montreal theatre community. It is a play that celebrates the power of love and imagination to overcome every obstacle and that is a story we all need right now.”

This is an exceptionally heart-warming play that portrays people's straggles to find in their lives love, meaning, happiness, as well as true friends and life partners.

Creative Team

  • Original Playwright: Evelyne de la Chenelière

  • Translator: Morwyn Brebner

  • Adaptation / Director: Frédéric Bélanger

  • Adaptation / Original Music: Audrey Thériault

  • Original Music: Ludovic Bonnier

  • Original Music: Eva Foote

  • Original Music / Arrangements: Habib Zekri

  • Musical Direction / Arrangements: Nick Carpenter

  • Song Translations: Alexis Diamond


Cast

  • Eloi ArchamBaudoin

  • Ryan Bommarito

  • Métushalème Dary

  • Madeleine Scovil


Musicians

  • Khalil Bouaziz

  • Quinn Dooley

  • Tobias Kimmelman

  • Christophe Papadimitriou


Performance Details:

Dates: Tuesday, January 21 to Sunday, February 9, 2025
Times: Tuesdays to Saturdays at 8:00 PM, with matinees on Saturdays and Sundays at 2:00 PM

French surtitles: January 30 and 31 at 8:00PM; February 1 at 2:00PM


Location: Centaur 1, Centaur Theatre, 453 St. Francois-Xavier, Montreal


Tickets: Prices range from $22 to $68, with subscription rates, group rates, and student/senior discounts available. Tickets can be purchased at www.centaurtheatre.com or by phone at 514-288-3161.

All images in this article courtesy of Centaur Theatre, Photographer Andrée Lanthier.

For more information about Centaur Theatre visit the Centaur Theatre website.

SOCIAL MEDIA:

FB: @CentaurTheatreCompany 
IG: @CentaurTheatre 
YouTube: @CentaurTheatreCompany 
ash@b-rebelpr.com  


Tuesday, December 03, 2024

BO Montréal 2024: Nutcracker

Ballet Ouest de Montréal

BO Montréal Brings the Holiday Spirit to Life with The Nutcracker

November 29 - December 21, 2024

BO (Ballet Ouest de Montréal), one of Montreal’s most esteemed ballet companies, announces its enchanting annual performances of The Nutcracker. A beloved holiday tradition, this year’s production captivate audiences from November 29th to December 21st with performances in Montreal, Victoriaville, Saint-Jean-sur-Richelieu and L’Assomption. With a rich history dating back to its founding in 1984, BO Montréal promises an unforgettable experience filled with wonder and artistic excellence.

Led by a cast of 35 talented professional dancers from the company and more than 80 children from each region visited, this production will bring Tchaikovsky’s timeless score to life. Audiences will be transported into a magical world where dreams come alive, snowflakes twirl, and the valiant Nutcracker embarks on his heroic journey. From the iconic Waltz of the Flowers to the mesmerizing Dance of the Sugar Plum Fairy, every moment will celebrate the beauty and elegance of classical ballet.

Special Family Performance

For families looking to introduce their young children to the world of performing arts, BO Montréal will offer a special performance on Sunday, December 8 at 10:00 AM in Montreal. This morning performance is designed to provide a child-friendly experience, featuring a slightly shortened performance, adjusted lighting, and a meet-and-greet with the dancers after the show. Families are encouraged to participate in this experience that promises to create lasting memories.

Claude Caron, Artistic Director of BO Montréa, stated:

“The Nutcracker is a cherished tradition for us at BO Montréal, and every year we are thrilled to introduce new dancers and innovative elements to make it even more magical for our audiences....This production not only showcases the extraordinary talent within our company, but also highlights the dedication and passion of young dancers in our community.”

This year’s performances will feature stunning costumes and elaborate sets designed to immerse attendees in the magical realms of Clara’s dream. From the dazzling Land of Snow to the opulent Kingdom of Sweets, BO Montréal’s production of The Nutcracker is a visual and auditory feast that will leave audiences spellbound.

About BO Montréal

BO Montréal (Ballet Ouest de Montréal) is a nonprofit organization founded in 1984 that is dedicated to the creation and interpretation of innovative works based on a classical dance language. Over its 40 years of existence, the company has presented original ballets and repertoire works, and has welcomed countless dancers, choreographers, creators, and collaborators to its stage.

Nutcracker Performances

Montreal - Centre Pierre-Péladeau

Public Performances

Saturday December 7, 2pm and 7:30pm

Sunday December 8, 10am and 2pm

Performances for Schools

Thursday December 5, 10am and 12:30 pm

Friday December 6, 9:30am and 12pm

Victoriaville – Le Carré 150

Public Performances

Friday November 29, 7pm

Saturday November 30, 1:30 pm

Performances for Schools

Friday November 29, 9:30am

Saint-Jean sur richelieu – Théâtre des Deux Rives

Public Performances

Saturday December 14, 2pm and 7pm

Performances for Schools

Thursday December 12, 9:30am

Friday December 13, 10am

L’Assomption – Théâtre Hector-Charland

Public Performances

Friday December 20, 7:30pm

Saturday December 21, 2pm and 7:30pm

Performances for Schools

Thursday December 19, 10:15am and 1:30pm

Photos Credit: Ballet Ouest de Montréal

For more information visit Ballet Ouest de Montréal website.


Friday, November 15, 2024

McCord 2024: Costume Balls

Costume Balls:
Dressing Up History, 1870–1927

November 4, 2024 - March 9, 2025

Tthe Montreal’s McCord Stewart Museum with its new exhibition Costume Balls: Dressing Up History, 1870–1927 introduces the public to the world of fancy dress balls, some dating back 150 years.

The exhibition captures the splendour and extravagance of such events, with guests transforming themselves into a colourful array of characters for an evening. Over 40 dazzling costumes from the Museum’s collection, as well as photographs of costumed ball-goers, souvenir publications and programs, capture the scope and pageantry of those prestigious occasions.

Costume Balls: Dressing Up History, 1870–1927 opens its doors on the centenary of one of such grand balls that was held on November 14, 1924 at the Mount Royal Hotel in Montreal. This exhibition is presented by La Presse and in collaboration with LaSalle College Montréal, a member of LCI Education.



A focus on history

While ball-goers in search of ideas drew from many aspects of popular culture to choose their characters, the exhibition highlights the predominance of history as a source of inspiration. The many photographs featured in the exhibition reveal guests’ enthusiasm for embodying figures from Canada’s past at historically themed balls.


Immortalizing the event for a lifetime

A visit to the photographer’s studio was a must for those attending a fancy dress ball or skating carnival, so they could create lasting momentous of themselves in the costumes made for these often once-in-a-lifetime social events. Visitors to the exhibition will find many portraits made by William Notman of Montreal and William J. Topley of Ottawa, who ran the leading photo studios of the time.


Cynthia Cooper, the exhibition’s curator, stated:

“This exhibition tells an extraordinary story by bringing together some of the most extraordinary material in the Museum’s collections. Rarely do visitors get a chance to see so many garments from the 19th century (that survived in spite of being created to last a single evening) in an exhibition space, alongside images of the people who wore those costumes. And rarely do we see captured in photography such a lighthearted side of life from a time when public presentation of the self was a most serious matter.”  

Remarkable research project

The exhibition is the culmination of research into the practice of fancy dress, begun over 30 years ago by Cynthia Cooper, Head, Collections and Research and Curator, Dress, Fashion and Textiles, long before she joined the McCord Stewart Museum in 1998. Her work with the Museum’s extensive collections has enabled her to make some astonishing discoveries related to this topic, the latest of which are now being presented to the public for the first time in the exhibition and the catalogue.




Putting 40 costumes from the McCord Stewart Museum’s renowned Dress, Fashion and Textiles collection on display required a colossal effort from the Museum’s team. The limits of traditional conservation practice had to be pushed to allow all the costumes to be displayed, as Caterina Florio, Head, Conservation, explained:

“Given the fragile—or even damaged—condition of some garments, we took a long, hard look at the approaches we could take. This led us not only to question traditional conservation treatments, but also to make bold decisions and experiment with new ideas for preserving material integrity.” 


Andrew McNally, Dean of Fashion at LaSalle College stated

“While Costume Balls: Dressing Up History, 1870–1927  shines a spotlight on the extravagance of period costumes, students completing their studies in Costume specialization within the Fashion Design program will be given the opportunity to create contemporary designs inspired by the theme of the exhibition for presentation at a related Museum event. This unique collaboration between LaSalle College Montréal, a member of LCI Education, and the McCord Stewart Museum embodies the essence of tradition and innovation. The initiative not only emphasizes the historical legacy of the exhibition, it showcases how young designers are taking a creative, modern approach to passing on expertise.” 


The book Costume Balls: Dressing Up History, 1870–1927

Edited by Cynthia Cooper. Photographs by Laura Dumitriu.

Co-publishers: McCord Stewart Museum and 5 Continents Edition

288 pp., hardback, available in English and French versions

CAD $65.00

On sale at the Museum Boutique

Click on images to enlarge them.

All photos @ Nadia Slejskova



For more information about current exhibitions and special evens associated with this exhibition, visit the McCord Stewart Museum website.


Thursday, November 07, 2024

MMFA 2024: UUMMAQUTIK-ESSENCE OF LIFE

UUMMAQUTIK: ESSENCE OF LIFE

ᐆᒻᒪᖁᑎᒃ

A new presentation of the Montreal Museum of Fine Art's Inuit art collection

Starting on November 8, 2024

With this exhibition, the Montreal Museum of Fine Arts (MMFA) invites the public to experience Inuit art in newly conceived premises. Shown in brightly lit renovated and modernized galleries totalling 200 m2 on the ground floor of the Michal and Renata Hornstein Pavilion, ᐆᒻᒪᖁᑎᒃ uummaqutik: essence of life doubles the Museum's exhibition space dedicated to Inuit art.

Conceived by Inuk artist and curator Asinnajaq, this new presentation of the Museum's Inuit art collection prompts the visitors to meditate on the rhythms of life particular to the circumpolar territories known together as Inuit Nunangat (Inuit homelands in Canada). It brings together works dating from 1949 to today that demonstrate richness and diversity in contemporary Inuit artistic expression.




Prioritizing a bold storytelling approach, this evolving display will be periodically updated over the next five years, allowing the public to admire a rotation of some 120 works by 70 Inuit artists from Nunavik, Nunavut, Nunatsiavut, and the Inuvialuit Nunangat. Many of the works are being presented at the Museum for the first time.


ᐆᒻᒪᖁᑎᒃ uummaqutik: essence of life

This inaugural presentation of uummaqutik comprises 60 works from the MMFA's collection – prints, drawings, textile works, photographs, paintings, sculptures and installations – by artists such as Siku Allooloo, Darcie Bernhardt, Lucassie Echalook, Charlie Alakkariallak Inukpuk, Niap, Gayle Uyagaqi Kabloona, Joe Talirunili and Jessica Winters, not to mention the eye-popping motorbike sidecar by Mattiusi Iyaituk and Etienne Guay, on loan from Avataq Cultural Institute, as well as a selection of works that are promised gifts from Lois and Daniel Miller. Later on, the space will also feature works by Kudluajuk Ashoona, Shuvinai Ashoona, Annie Pootoogook and Johnny Pootoogook, among other renowned artists.


In addition, artist Couzyn van Heuvelen has created Qulliq (2024), the MMFA's second Indigenous art commission this year. This impressive glass sculpture, whose shape and title embody the qulliq oil lamp, widely used by Inuit, is also the artist's first work to enter the Museum collection.


The energy that unites living beings and transforms our universe

Through these artforms, artists share with visitors their views on the simple and at times extraordinary moments of life, including childbirth, child rearing, everyday activities and seasonal community work. Together, the works on view portray these moments as a sharing and transmission of energy between humans and all other living beings with whom they coexist, including the plants, stones and stars.


Click on images to enlarge them.

All photos @Nadia Slejskova

This article's dedicated internet address or also click on the title above the very first photo in this article.

Visit the Montreal Museum of Fine Arts website to check on the opening hours and to purchase your tickets online.