Musée des Hospitalières 2025: Medicine and Charity

Medicine and Charity:

Hôtels-Dieu from the Middle Ages to New France

From October 15, 2025

What did hospitals in New France inherit from French medieval hospitals?

Montreal's museum Musée des Hospitalières is presenting a new exhibition where the visitors of all ages will find the answer to this question and many others in a brand-new exhibition that covers two continents, the largest temporary exhibition ever mounted by the Musée des Hospitalières de l’Hôtel-Dieu. This exceptional and truly vibrant exhibition, Medicine and Charity: Hôtels-Dieu from the Middle Ages to New France, produced in collaboration with France, should be of interest to many visitors.

Featuring stained-glass pieces, sculptures, paintings, furnishings, tapestries, common objects related to patient care, and archival materials, the exhibition opens a fascinating window to the extraordinarily rich hospital heritage of France and Québec.

The Musée benefited from a fruitful partnership with four Hôtels-Dieu in France, founded between the 13th and 17th centuries in Tonnerre, Beaune, Chalon-sur-Saône, and Baugé. Several religious communities in Québec also lent artefacts: the Augustines of Québec City, the Sulpiciens of Montréal, the Grey Nuns, and, of course, the Hospitalières de Saint-Joseph. In addition, there was the valuable support offered by the Bibliothèque et Archives nationales du Québec, the Université de Montréal, and McGill University.

Items never seen before in Canada

Visitors will have an opportunity to see almost a hundred remarkable works and archival materials from France classified as cultural assets and never before displayed in Canada, as well as more than fifty artefacts from Québec.

The exposition is a celebration of the history and heritage of hospitals in France and Québec, stretching back hundreds of years. The Hôtels-Dieu established in New France in the 17th century followed the long hospital tradition that began in the West in the Middle Ages, when charitable institutions – places of worship and welcome – were founded on Christian charity. Their purpose was to care for the poor and all those in a situation of vulnerability: the most disadvantaged, the infirm, the sick, pilgrims, and the elderly.

Pioneering women in the spotlight

The hospital environment was one of the few areas in which women, lay or religious, had the opportunity to put their management and/or caregiving skills to good use. The exhibition highlights women who played an essential role as founders or patrons, from Margaret of Burgundy to Jeanne Mance, who were respectively the founders of Hôtel-Dieu de Tonnerre in 1293 and Hôtel-Dieu de Montréal in1642, as well as Guigone de Salins, who, in the 15th century, took the torch from her late husband, Nicolas Rolin, at Hôtel-Dieu de Beaune.

This vibrant, vivid exhibition highlight an important part of the history of France and Québec – don’t miss it!

 

Acknowledgments

This project has received support from the Société des Attractions Touristiques du Québec through the Tourism Growth Program of Canada Economic Development for Québec Regions. The Musée receives operating funding from the Ministère de la Culture et des Communications du Québec and from The Ville de Montréal. The Musée des Hospitalières extends its warmest thanks to its lenders, sponsors, and partners

All photos @Nadia Slejskova

For more information visit the museum's website.

Portrait of Jeanne Mance, Oil on wood.

Musée des Hospitalières 2025: Jana Sterbak

CORPUS INSOLITE: JANA STERBAK

Musée des Hospitalières de l’Hôtel-Dieu de Montréal

29 January 2025 - 24 August 2025

The Musée des Hospitalières de l’Hôtel-Dieu de Montréal, renowned for its unique collections of historical, medical and religious artifacts, presents a new exhibition, Corpus Insolite: Jana Sterbak.This exhibition invites visitors to experience Sterbak’s thought-provoking works in dialogue with the museum’s collections.

Jana Sterbak is a globally acclaimed, Montreal-based artist. She explores in her works the themes of power and desire, often incorporating unconventional materials. Her works explore the themes of mortality, transcendence, and transformation, which in this exhibition are brought into dialog with the medical and religious artifacts from the museum's collection.

For this exhibition, Jana Sterbak and curator Johanne Sloan worked closely together to integrate Sterbak’s artworks into the museum’s exhibition spaces, while also selecting objects to be brought out of storage for the first time. 

For example, Sterbak’s internationally recognized Vanitas: Flesh Dress for an Albino Anorectic, (the so-called meat dress), which was first shown in 1987, has been re-made for this exhibition, and is displayed in the proximity of anatomic models and holy relics. This offers a unique opportunity to re-discover the work of Jana Sterbak in dialog with the exhibits from the museum’s collection.

In addition to the two works Sylvanus and Hot Crown, which have never before been shown in Montreal, Jana Sterbak's internationally acclaimed Vanitas: Flesh Dress for an Albino Anorectic, first exhibited in 1987, was remade for this exhibition, contrasted with the museum's anatomical models and sanctified relics. It is a long, white feminine dress with the real male chest-hair woven into it.

The sculpture of a crown which lights brightly every 80 seconds also seems to reflect on both the worldly and spiritual powers.

Also of interest are the skeleton bones displayed under the glass and looking very much like real human skeleton bones, especially in contrast with other bone remain in the same room, are actually made of chocolate. 

The Musée des Hospitalières de l’Hôtel-Dieu de MontréalThis offers a unique opportunity to rediscover the work of Jana Sterbak while, at the same time, discovering the museum's collections through an artistic imagination.

Sterbak's pieces also reflect on the human stages of life, like the closed circle and the spiral-like progression.

The top-most image in this article, curtesy of the the Musée des Hospitalières de l’Hôtel-Dieu de Montréal.

All other photos @Nadia Slejskova

For more information visit the museum's website.

About the Musée des Hospitalières de l’Hôtel-Dieu de Montréal

The mission of  the Musée des Hospitalières de l’Hôtel-Dieu de Montréal is to transmit the history of Montreal and its foundation, to publicize the history of the Hôtel-Dieu de Montréal, to exhibit the tangible and intangible heritage of the Hospitallers of Saint Joseph, and to explore the history of healthcare and the health sciences.

Four centuries of history can be traced through the museum’s unique collection, which is linked to the development of Montreal, to hospital, medical and pharmaceutical practices, and to religious art.

Located within Mount Royal’s protected area, in a special natural setting, the museum is a part of one of the city’s best preserved convent complexes, home to the Hospitallers of Saint Joseph. The ensemble, built in 1861 to plans by the architect Victor Bourgeau, includes the order’s original monastery and garden, the hospital, three chapels, a crypt and the museum itself, housed in the former chaplains’ residence.