Written by Harry Standjofski
Directed by Eda Holmes
With Deena Aziz, Ravyn R. Bekh, Stefanie Buxton, Marcel Jeannin, Marc-Antoine Kelertas, Howard Rosenstein, and Paul Van Dyck
September 17, 2024 — October 6, 2024
This is a world premiere adaptation of a 19th century Russian play, based on Anton Chekhov’s masterpiece The Cherry Orchard, a story of a pre-revolutionary Russian upper-class (gentry) family forced to sell their estate, including a beloved orchard, to pay off debts that have accumulated from years of mismanagement and self-indulgence. Yet if one cherishes the original Chekhov's plays, the subtle and even elusive way he portrays his characters, their dilemmas and relationships, as well as the general mood and wider social connotations, the Harry Standjofski's reinterpretation of the play for the 21th century is very different. Although he uses the same though renamed characters as in the Chekov's play, with basically the same plot, his play fails to create a deep sympathy for the personages on stage as do the original Chekov's plays.
Moreover, the Standjofski's play is supposed to be a "witty comedy with a hint of nostalgia". Chekov's play was not a comedy. This is where the plays of two playwriters part. The frequent language crudity and the enactment on stage of the sex act bring both plays even further apart.
Harry Standjofski is a Montreal playwright and actor. His play is based on the present day's milieu that surrounds him and that he knows the best: their current sensibilities, the language usage, their relationships, and how they tend to express their frustrations and desires. A great number of the audience could relate to that and even identify with it. However, those who might hope to see a Chekov-type of play might be disappointed.
All images in this article courtesy of Centaur Theatre.
For more information about Centaur Theatre visit the Centaur Theatre website.
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