Presence
of the Past by MC Snow
Visual poetry rooted in tradition and the transmission of knowledge
March 1 - August 18, 2024
McCord Stewart Museum new exhibition Presence of the Past by MC Snow is a part of the Contemporary Native Art Biennial (BACA). MCShows' Kanien’kehá:ka installation immerses the viewer in a space filled with the objects from the Museum’s Indigenous Cultures collection including some contemporary works.
MC Snow explored the Museum’s reserves and selected forty objects from which he drew inspiration to create two original sculptures at the center of the exhibition.
Through the emotions and messages conveyed by the Kanien’kehá:ka cultural objects conserved by the Museum, the artist puts forward a contemporary interpretation of the teachings, traditions and know-how transmitted by the objects in the collection. With Presence of the Past, MC Snow wishes to emphasize the importance of researching and preserving Indigenous cultural property, essential to transmitting the knowledge and safeguarding the cultural traditions of Indigenous peoples.
Some of the cultural objects that are presented at the exhibition date back to the 14th century. By juxtaposing those objects – mostly of Kanien’kehá:ka origin – with the contemporary representations of his reflections on the past, MC Snow explores his personal visceral emotions towards them and focuses attention to the ways in which they convey meaning.
Presence of the Past focuses on poetic metaphors relating to truth, care, protection, transmission and memory. Those metaphors express the teachings that emanate from the creation story, forming a visual poetry rooted in oral tradition.
MC Snow explained:
“For me, pots have always been objects that carry something. We place things in pots to contain and protect them. The same applies to baby carriers. Just as we carry ideas, we carry our children. These are objects and knowledge that we preserve for the future, and therefore for generations to come. The Girl with the Basket (one of two works by MC Snow in the exhibition) is also a character who communicates ideas through her basket. She communicates them to the children she carries in her baby carrier.”
Research and knowledge preservation
The artist’s concern with emphasizing the importance of researching and preserving Indigenous cultural property is reflected in the objects selected by MC Snow and Jonathan Lainey, Curator, Indigenous Cultures at the McCord Stewart Museum. The public will be able to view some forty rarely exhibited cultural items from the Indigenous Cultures collection: pottery, baby carriers, dolls and arrows. For MC Snow, the arrows represent self-preservation and the protection of Indigenous languages and cultures. The dolls embody the stories that Kanien’kehá:ka elders tell their children to explain the world around them. Baby carriers and decorated pots are used to pass on these values and teachings to future generations. The pot fragments are preserved so that their past remains accessible. The artist insists on the importance of treating objects with dignity, because for Indigenous nations, cultural property is more than just an object; it holds the spirits of their ancestors.
“Seven years ago, I embarked on an ambitious project that teamed up the City of Montreal and the Kanien’kehá:ka territory of Kahnawake to address and valorize the theme of truth and reconciliation. I believe that every time we, as a First Nation community, engage in any kind of meaningful way with Tiohtià:ke, it furthers our way on this path of reconciliation and respect. We are, after all, very close neighbors. Through the Peel Street Project, the BACA, and now the McCord Stewart Museum, I take responsibility to accept and uphold my end of the bargain: to engage in a truthful and meaningful dialogue to promote this idea of peace and mutual respect.
If one memory or emotion is taken away from this Presence of the Past, let it be that the spirit it was done in was one of good-minded collaboration, much conversation and opinion sharing, and enthusiastic effort from both sides. This was my desire in this work, to take part in building a new vessel that could carry our hopes and stories into the future. My time with the McCord Stewart Museum has been a turning point in my own personal journey of truth and reconciliation. I hope to pass on and send people home with something good to share.”
MC Show presenting his exhibition |
MC Snow
MC Snow is a multidisciplinary Kanien’kehà:ka artist living in Kahnawá:ke. MC is a graduate of the University of Ottawa fine arts department (BFA). He has been working and exhibiting in Canada and the United States since the 1990s. His mostly sculptural work combines traditional materials and techniques. While reflecting contemporary concerns, his work contributes to preserving traditional artistic value and defending Kanien’kehà:ka cultural identity.
Two photos below capture MC Show working on one of his sculptures at the exhibition at his studio.
Click on Images to enlarge them
All photos @ Nadia Slejskova
For more information about current exhibitions and special evens associated with this exhibition, visit the McCord Stewart Museum website.
For this article's dedicated internet address, click on the title above the very first photo.
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