NADIA MYRE
TOUT CE QUI RESTE – SCATTERED REMAINS
November 15, 2017 –
May 27, 2018
This is the first solo survey exhibition of Nadia Myre, a Quebec Indigenous artist, at the Montreal Museum Of Fine Arts. It features the Canadian premiere of Code
Switching, a series Myre produced during an artist residency at the Darling
Foundry, sponsored by the MMFA, in 2016-2017. The exhibition includes some
twenty works – photographs and sculptures – created between 2000 and 2017. It
is part of Woman. Artist. Indigenous. season at the Museum,
devoted to female Indigenous artists.
This is an imaginative presentation of several individual works by the artists. The way they are displayed together, a coherent whole is achieved and is perceived as a single artistic installation. As one walks within the exhibition room from one displayed object to the next, it is becomes obvious that what one sees are separate puzzle pieces of the same unified body of art that tells the story how the artist reconciles her reality, the reality of her native roots, the overpowering European stronghold that took over, and the modern multi-ethnic cultural fabric of the society within which she lives and creates. She uses elements not produced by the natives to express native motives and designs, thus recreating her own identity through the blending of all separate realities of her present life. For instance, the native ornamental piece in the photo at the very top of this article was made with ceramic pieces Myre found in the mud during a river Themes' low tide, a popular activity called mud-larking by the Londoners. These ceramic pieces were used in manufacturing pipes. A a remnant of one such pipe, also found by the artist, appears in the image above this paragraph.
About Nadia Myre
Nadia Myre is a member of the Algonquin First
Nation of Kitigan Zibi Anishnabeg. In her works, she revisits official history
and the political and social struggles of Indigenous peoples. She juxtaposes her
personal experience with that of others, creating highly symbolic works that
spark contemplation and reflection. She takes a participatory approach and
tackles topics of identity, language, desire and memory. The works in the
exhibition reflect on the encounter between Indigenous peoples and the Europeans.Born in
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Hover you mouse over images for description and credits.
WOMAN. ARTIST. INDIGENOUS.
This fall, the MMFA is
spotlighting female Indigenous artists with exhibitions and acquisitions of
their works, as part of Woman. Artist. Indigenous. In addition to the
exhibition of works by Nadia Myre, this cycle presents the work of Ontario
photographer Meryl McMaster, with the exhibition IN-BETWEEN WORLDS (until
December 3, 2017), consisting of two photographic series entitled In-Between
Worlds (2010-2015) and Wanderings (2015); artists Eruoma Awashish, Meky Ottawa
and Jani Bellefleur-Kaltush, with their immersive installation KUSHAPETSHEKAN /
KOSAPTCIKAN – A GLIMPSE INTO THE OTHER WORLD (until February 4, 2018), as well
as recent acquisitions of works by Maria Hupfield and Rebecca Belmore. Woman.
Artist. Indigenous. follows She Photographs (2016), which featured seventy
works by thirty contemporary female photographers from
For more information about the Montreal Museum of Fine Arts exhibitions and activities, visit the museum's website.
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