Saturday, May 05, 2018

McCord 2018: Shalom Montreal


Exhibition Poster, © McCord Museum
Visuel de l’exposition, © Musée McCord

SHALOM MONTREAL
STORIES AND CONTRIBUTIONS OF THE JEWISH COMMUNITY

May 3 - November 11, 2018

The McCord Museum's new exhibition highlights how the Jewish community has participated in the Montreal's growth and development during the 20th century. It features the achievements in a variety of sectors such as architecture, heritage preservation, health and science, human rights, business, the arts and culture, that all have benefited, and continue to benefit, all the inhabitance of the city. Featuring personal reminiscences, videos and photos, the exhibition invites visitors to discover the stories behind many major contributions to the city.

The word Shalom symbolizes openness to others and friendship. The history of Montreal’s Jewish community reflects the strength of its traditions and centuries-old roots. Nourished by a fertile cultural and intellectual climate, its many significant achievements attest to a desire to work together and help one another.


Anonymous, Moe Wilensky and customers, Montreal, 1965. Courtesy of the Wilensky family

Visitors are welcomed to the exhibition by a testimonial from Elaine Kalman Naves, a Jewish writer and journalist who recounts her arrival in Montreal and her life here.

The exhibition features multiple multimedia installations, organized into five different thematic zones.

David De Stefano, Dipping bagels in sesame seeds, St-Viateur Bagel, Montreal, 2012. Courtesy of St-Viateur Bagel

The next zone, entitled Exoduses, describes the various waves of Jewish immigrants to Montreal over the 20th century, against a backdrop of national revolutions and global conflict. It also looks at the anti-Semetism that the Montreal Jewish community suffered for many decades in the 20th century.

The third zone, Memories, gathers together meaningful objects that belonged or still belong to Jewish immigrants, artefacts that have accompanied them throughout their journey. Part of a Torah scroll (late 19th century), a tablecloth made by 50 young orphans (1920-1927), and a doll named Toniška (about 1941) are among the items on display.


Living Together, the fourth zone, highlights the contributions of Jews to the Montreal community. The heart of the exhibition, this area explores how the Jewish and Montreal communities have learned to build, care, struggle, do business, and create together.


© Marilyn Aitken, McCord Museum
Montreal Holocaust Museum, photo: Peter Berra

Building Together
Jewish architects have distinguished themselves in Montreal, whether by designing buildings that have become important symbols of the city, preserving our urban heritage, or participating in various real-estate developments. Furthermore, thanks to Jewish philanthropy, the urban landscape throughout the city has been enriched by numerous buildings, particularly on university campuses and in the fields of medicine and culture. Many drawings and a scale model illustrate this first sub-zone.

Caring Together
Montreal Jews have often faced discriminatory practices, which prompted them to establish their own institutions. However, Jewish organizations have never responded in kind, and instead have long been in the forefront of the movement for universal access to health care. The creation of the Jewish General Hospital of Montreal is a perfect example of this. In the field of basic research, Jewish scientists like Dr. Mark Wainberg and Dr. Ronald Melzack have made significant contributions, particularly since the 1960s. This sub-zone offers a number of testimonials.

Struggling Together
Many Jews seem especially motivated to take part in social struggles for fairness, justice and human rights. Some attribute their passionate commitment to such causes to the fact that they have faced anti-Semitism, others cite Jewish religious teachings, while yet others mention the revolutionary heritage of Russian immigrants. Whatever their motivations, they have left their mark on 20th-century Montreal with their decisive contributions to universal social movements such as women’s liberation, workers’ rights, and the fight against racism and exclusion. Among the objects presented are a community newspaper and election posters.

Doing Business Together
The Jewish community has played a significant role in Montreal's economy. Some entrepreneurs in particular have created hugely successful commercial ventures. Often, small shops have developed into major business empires or become internationally known symbols of Montreal. Some of these businesses have left a mark on the culture of the city, and even of the province. Among the objects displayed are articles of clothing created by well-known brands like Le Château, Parachute and Canadelle, along with iconic artefacts like a Steinberg's grocery bag.

Creating Together
The final sub-zone focusses on three fields in particular—music, the visual arts and literature—to convey the incredible vitality of the Jewish artists who have lived in Montreal. Visitors can see books by Irving Layton, a gramophone (1902-1925) designed by Émile Berliner, Mordecai Richler's typewriter, and paintings of Montreal done by the mid-20th century artists collectively known as "Jewish Painters of Montreal" (Neumann, Muhlstock, Beder, Mayerovitch and Reinblatt).

Duncan Cameron, Women on steps holding signs “No Nuclear Arms for Canada / Pas d’armes nucléaires pour le Canada,” Montreal, 1961. Library and Archives Canada, PA-209888

Anonymous, Nurses tending to newborns in neonatal ward, Jewish General Hospital, Montreal, about 1960s. Courtesy of the Jewish General Hospital Historical Archives, ID 1-18.9.3.4

The exhibition concludes with a documentary-style multimedia installation in which 14 young Montreal Jews discuss their views of the city, their contributions to the community, and what it means to be Jewish in Montreal in 2018.


David Bier, Sephardic refugees arriving at Dorval Airport (now Pierre Elliott Trudeau International Airport), Montreal, 1974. Alex Dworkin Canadian Jewish Archives

Click on images to enlarge them.
For more information, visit the McCord Museum website.

Saturday, April 28, 2018

SIDIM 2018


SIDIM - Salon du Design
30th Edition

April 26 - 28, 2018

This annual Show - Salon is a gathering place for Quebec designers and artists to present to the public their ideas and concepts, and to showcase their latest products. It is also a common ground where an exchange between various design creators and organisations takes place. The event takes place every spring. It offers an opportunity to discover new design trends and guidances.



There are over 250 products at the SHOW designed by more than 50 Quebec designers, artists and artisans. The Show is a big market where the trends of 2018 and the creativity of local creators are be brought together to offer new objects useful for everyday life.





If one like beautiful objects and is passionate about design, or is planning to renovate and refurbish their living quarters, this is the place to find many interesting ideas and objects that might attract attention and inspire. There are art objects, new design concepts of any sort, decorations, lighting, kitchen accessories, stationery, ambiance products.





The Show is open the public and design experts and lovers. The SIDIM offers the opportunity to meet various experts to ask questions, to get new creative ideas, and get inspired by the latest interior design trends.





Click on any image to enlarge it.
All photos by Nadia Slejskova

For more information, visit SIDIM website.
View all SIDIM previous posts here and also here




Monday, April 16, 2018

MMFA 2028: From the Hands of the Masters II


FROM THE HANDS OF THE MASTERS II
FROM PARMIGIANINO TO MATISSE
April 10 – August 12, 2018

On April 13, 2018, the Montreal Museum of Fine Arts (MMFA) unveiled 55 drawings from a Montreal private collection that span from the 16th to the 20th century. As part of this exhibition, the MMFA also presented some twenty other master drawings from artists including Delacroix, Greuze, Ingres and Romney that were recently given to the Museum by the anonymous collector.

FROM THE HANDS OF THE MASTERS II: FROM PARMIGIANINO TO MATISSE brings together works on paper by François Boucher, Agostino and Annibale Carracci, Giovanni Benedetto Castiglione, Gustave Courbet, Edgar Degas, Juan Gris, Katsushika Hokusai, Victor Hugo, Henri Matisse, Jean-François Millet, Amadeo Modigliani, Gustave Moreau, Berthe Morisot, Parmigianino, Camille Pissarro, Giorgio Vasari, James McNeill Whistler, and Antoine Watteau.


The exhibition also features a selection of 20 drawings by François Boucher, Eugène Delacroix, Ciro Ferri, Charles de la Fosse, Théodore Géricault, Jacopo Palma il Giovane, Anne-Louis Girodet, Jean-Baptiste Greuze, le Guerchin, Charles-Nicolas Cochin le Jeune, Michel Corneille le Jeune, Jean-Auguste-Dominique Ingres, Jacob Jordaens, Carlo Maratti, Jean-Baptiste Oudry, Domenico Piola, Sebastiano Ricci, George Romney, Gabriel de Saint-Aubin and Orazio Samacchini, among the artworks given to the Museum by the same anonymous Montreal collector. Many of them are being displayed at the Museum for the first time.


The subjects range from studies for religious compositions to sensuous female nudes, from the Virgin to a ballerina, from male portraits to battling Japanese warriors. Also on display are a variety of landscapes, from a wintry sixteenth-century Northern European village scene to a lush tropical jungle in Venezuela, from the rocky coast of Guernsey to the fields of Normandy and an Impressionist vision of the countryside near Paris, and even the picturesque crossing of an arched bridge in nineteenth-century Japan. Still-lifes from the early period of Cubism also are presented, as is a black paper cut-out of an eagle by the renowned French author Victor Hugo.

The Montreal Museum of Fine Arts is the repository of one of the most important graphic arts collections in Canada, encompassing prints, drawings and photographs that survey over five centuries of graphic achievement and include masterpieces by a broad diversity of artists spanning the history of European and North American art.


Click on images to enlarge them.
All photos above by Nadia Slejskova.
The last image in this article below courtesy of MMFA.

The exhibition is located at the MMFA's Graphic Arts Centre
Jean-Noël Desmarais Pavilion, Level S2 

This exhibition is a successor to a MMFA 2013 exhibition. You can read about the original 
FROM THE HANDS OF THE MASTERS  here.


Théodore Géricault (1791-1824), Study of a Man Gesturing on a Barrel,
Supported by Another Figure for The Raft of the Medusa, 1819,
pen and ink, heightened with gouache on blue paper.
On loan from a private collection.

Sunday, April 15, 2018

Successions


Centaur Theatre /49th Season
Successions

World Premier 
Written by Michaela Di Cesare
Directed by Tamara Brown

April 10 - May 6, 2018

This is the first time that a female Italian Canadian playwright joined the ranks of two other Italian Canadian Centaur playwright luminaries Vittorio Rossi, and Steve Galluccio.

Michaela Di Cesare's play is about a family drama that takes place when the departed parent's estate has to be attended by the family survivors. Many in the audience would relate to this play since they themselves went through personal variations of the same situation.

In Successions, it is the conflict that unfolds between two second generation Italian Canadian brothers from the St. Leonard borough in Montreal. After the sudden death of their both parents, they must decide whether or not to hold on to the rundown family home, stuffed with memorabilia and worthless but sentimental junk. Their conflicting memories and emotions, overshadowed by their parent's plethora of unpaid bills, leads to a drama that unfolds - what to do with their parent’s debt ridden estate. At the end they realize they need to move forward, each deciding what they are willing to give up and at what cost to their relationship.

Successions with Gita Miller,Davide Chiazzese, Carlo Mestroni &
Tara Nicodemo, Photo Andrée Lanthier

All play's action takes place in the cluttered basement and garage of a typical St. Leonard bungalow. The home, with a palpable character in of its own, and with its hold over the brothers, makes it difficult for them to break free of their history and each other.

Michaela Di Cesare also used an interesting device: by using the house memorabilia items she brings back the brother's parents, or rather their personalities, by portraying - enacting them briefly on stage. 

Successions with Davide Chiazzese, Gita Miller & Carlo Mestroni
 Photo Andrée Lanthier

The play also elaborates in a conflict of brothers belonging to two different social spheres. Anthony Di Ciccio, the older brother, is a hard-working lawyer who is running for political office. His wife Christina put her career on hold to be his campaign manager. The ambitious couple refers to themselves as DINKs: people with “double incomes, no kids”.  Enzo, Anthony’s younger brother, is headstrong and impulsive. He is planning to embark on his latest career choice as a plumber. Whereas he is planning to have his own family, Nat, his very pregnant, a beautician and an internet savvy girlfriend, is quite content to live independently in her own condo. At the end,regardless to the social strata the brothers belong to, it is the concept of family, of a family microcosm, that synthesises all their conflicts and arguments.

Michaela Di Cesare refers to the genre of this play as "dramedy". She explained that she thought she wrote a drama. But when she attended several previews of her play, she was startled that the audience began to laugh during the scenes or monologues that she considered dramatic. It was only then she perceived the comical side of the situations she conjured on the stage.

Successions with Gita Miller,Davide Chiazzese,Tara Nicodemo &
Carlo Mestroni, Photo Andrée Lanthier

CREATIVE TEAM

Actors - Davide Chiazzese, Carlo Mestroni, Gita Miller and Tara Nicodemo
Dramaturg - Micheline Chevrier
Set & Costume Designer - Diana Uribe
Lighting Designer - Audrey-Anne Bouchard
Sound Designer - Peter Cerone
Fight Choreographer - Anita Nittoly
Stage Manager - Merissa Tordjman
Apprentice Stage Manager - Brandon Hepworth 

Successions with Davide Chiazzese &
Gita Miller, Photo Andrée Lanthier
Successions with Carlo Mestroni &
Davide Chiazzese, Photo Andrée Lanthier

Click on images to enlarge them.
All images above are courtesy of Centaur Theatre.

For more information, visit the Centaur Theatre website.


 Playwright Michaela Di Cesare and members of the production crew
Photo Nadia Slejskova

SUNDAY CHAT-UP:
In Centaur’s Ted T. Katz Family Trust Gallery
April 15th, 2018 at 12:30pm
Montreal Gazette Editor-in-Chief, Lucinda Chodan, is joined by Successions
playwright, Michaela Di Cesare
Admission to the Chat-up is free and open to the public, with complimentary refreshments courtesy of Bonaparte Restaurant.

Successions, Centaur Theatre 2018, Michaela Di Cesareis interviewd by  Lucinda Chodan,
Photo Eloi Savoie

TALK BACKS:
Following the evening performance on Thursday April 26th
and the matinee presentation on Sunday April 29th
audiences are invited to stay after the show for a lively Q&A with the cast and director.


Saturday, April 14, 2018

MAC 2018: New Museum Plan Unveiled


MAC Transformation

On April 9, 2018, the Montreal Museum of Contemporary Art (The Musée d’art contemporain de Montréal - MAC) has unveiled the winning project of the architectural competition launched in June 2017 for the museum's renovation and transformation. The images in this article show the 
design and preliminary drawings for MAC's new look.

MAC enters a pivotal stage in its development. Museum attendance has increased steadily over the last 5 years, culminating with this year’s record of over 600,000 visitors. As an important national museum dedicated exclusively to the promotion of contemporary art, the MAC in its current condition faces a desperate lack of space to exhibit its vast collection.



It was the proposal of Saucier+Perrotte Architectes / GLCRM & Associés Architectes, a consortium of Quebec architects, that captured the top honours. This proposal was selected unanimously by the jury as inspiring, luminous, and relevant, and as resulting in a striking contemporary construction fully coherent with the Museum’s raison d’être. With this transformation, the MAC will embark on a new chapter in its existence and to embrace its full potential. 





Highlights of the new MAC:

  • Close to a 100% increase in exhibition spaces and rooms, including three new exhibition rooms.
  • Every space, from lobbies to circulation areas, has been redesigned to showcase contemporary art.
  • New and expanded educational spaces.
  • An exterior façade that has been transformed by the expansion of the main entrance and the added area on the 2nd floor.
  • The optimization of the Beverly-Webster-Rolph multimedia room.
  • New spaces for the Restaurant du MAC, including an outdoor terrace on the 2nd floor.
  • New spaces for the MAC Boutique, including a bookstore and a coffee shop.

The new Museum’s architectural vision

The proposal by Saucier+Perrotte Architectes / GLCRM & Associés Architectes builds on open and light-filled spaces to strengthen the special connection that joins the MAC to the quadrilateral defined by Place des Arts and to the Quartier des spectacles. In particular, the essential link between the MAC and the Place des Festivals will be maintained with a new transparent, light-filled expansion. On level 2, a large window will showcase the Museum restaurant, a double-height space that will open onto an outdoor terrace.

The museum will enjoy far greater visibility on the lower, Sainte-Catherine Street of the Esplanade, with the angular overhang of the expansion. Under this jutting structure, the museum square will naturally guide visitors to the main entrance, while freeing up the space necessary for holding the festivals.

From an urban planning perspective, several features will link the new MAC to its context. On the ground floor, the Museum will glow with transparency and the hustle and bustle of its public spaces, while on the Place des Arts Esplanade level the architectural proportions and expression will integrate with the existing architecture. he upper section will be composed of an envelope of folded metal blades revealing the interior spaces and filtering natural light. The created verticality will express and harmonize - in a contemporary manner - with Salle Wilfrid-Pelletier and Théâtre Maisonneuve.



A new Museum in 2021

On the current timetable, the main project phases are scheduled as follows:

  • April 2018 Start of architects’ mandate
  • January 2019 Temporary closure of the Sainte-Catherine Street MAC
  • Spring 2019 Opening of the temporary MAC
  • Summer 2019 Start of the Sainte-Catherine Street MAC construction
  • Fall 2021 Opening of the new MAC

The temporary MAC

The MAC must remain active and on hand throughout the construction period in order to maintain its relationship with the city and community presence. Between the closing and reopening, the MAC will set up headquarters in a permanent location and all the while make its influence throughout the city with multi-site and ephemeral exhibitions.

The programming, while limited, is nevertheless planned to be of excellence and rigour. None withstanding that this transition period will come with its share of challenges, it will also give the MAC an opportunity to explore both new partnerships and new exhibition spaces, and will challenge to display greater creativity.



Click on images to enlarge them.
All images in this article courtesy of @ MAC

For more information about MAC, visit the museum's website.


Saturday, March 10, 2018

FIFA 2018: L'Homme de l'isle

Fragment of Riopelle's Tribute to Rosa Luxemburg
L'HOMME DE L'ISLE
Documentary

Official Competition Art FIFA 2018


Director: BRUNO BOULIANNE
72 minutes | QuébecCanada | 2017

RELEASE date in Quebec cinemas - March 23, 2018.

The film elaborates how the hunting trips of the 
renown Quebec painter Jean-Paul Riopelle with Gilles Gagné, a geese hunting guide on Isle aux Oies, contributed to the artist's imagery, and how the brutal act of shooting, the death of geese and their blood found an expression in the Reopelle's monumental work Tribute to Rosa Luxemburg, a legacy piece, which he began in his studio on Île-aux-Oies in November 1992 after learning of the death in Paris of his former close companion, the American painter Joan Mitchel. The work was displayed in full at the MNBAQ (Musée national des beaux-arts du Québec - Quebec Museum of Fine Art) exhibition between January 29, 2014 - January 3, 2016.



Gilles Gagné in front of Riopelle's Tribute to Rosa Luxemburg

With this film, Bruni Boulianne brings into focus St Laurence River, especially its Isle aux Oises and Isle aux Grues which are actually two ends if the same landmass - the same long and narrow island in the middle of the river. He presents a skilled hunter Gille Gagné, a living incarnation of the place where he lives and practices his profession of the hunting guide in close connection with the elements, and of the times past, preserving the island's history and memory.


For thirty years, Gilles Gagné had guided the painter Jean-Paul Riopelle (1923 – 2002) to the most spectacular goose hunts. More than an accomplice of hunting, he became an ally to some of Riopelle's artistic creations, a witness of the passing time. Now, in the film, he hunts on similar trails with another French Canadian visual artist Marc Séguin.

Marc Séguin and Gilles Gagné (right) 
In addition to artistic allusions and art connections, the film presents Quebec regional nature and also an ethnographic study of the life on the island, featuring even a local Pierrot costume festival. The island's  inhabitants French also differs from the standard or Montreal French, not only in pronunciation but also in some vocabulary. For the Anglophone viewers, even those who speak French, future English subtitles would be helpful.

The photography aspect of the film is quite stunning. The orchestration of the nature camera shots, sounds, and the dance-like movement of the birds and branches form a visual and auditory symphony that is hypnotic and induces an almost meditative state.




Click on images to enlarge them.

The film might be of great interest to hunters and could be promoted in hunting clubs across the continent. On the other hand, it might create too great an interest, many wanting to coming to hunt on the island where the geese population is drastically diminishing and is no longer plentiful even for the local hunters.


CREATIVE TEAM
Les Films du 3 mars

With participation of GILLES GAGNÉ, MARC SÉGUIN, GINA VÉZINA
Editing: VINCENT GUIGNARD
Photography: ALEX MARGINEANU, FRANÇOIS VINCELETTE
Sound: STÉPHANE BARSALOU, MÉLANIE GAUTHIER
Sound Director MARTIN ALLARD, SIMON GERVAIS
Audio mixing: SERGE BOIVIN
Director, Script and Producer BRUNO BOULIANNE

FILM TRAILER on Vimeo

https://vimeo.com/252349740

For more information and FIFA film festival and scheduling, visit the Art FIFA website.